Archive for November, 2007

UH073

November 29, 2007

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UH073, originally uploaded by oliverart.com.

Selecting Work

One of the hardest things is selecting work.

It is kind of a funnel —- a host of potentials, many of which don’t go farther, some get worked on, some of those directions are culled. Finally something seen, is finalized with an occasional happy surprise also finalized.

This produces final pieces. The foregoing trivializes the creation process of course, but this musing isn’t about the creation, it is about after the fact selection.

I have a theme to select for Transitions, and I do have to make final selections soon, so I can print and then hang. I want to be up early.

I have close to a 100 pieces in my Urban’s series (only 70 on the web site at the moment – more to put up) only a few don’t have changes in building styles or construction or highways – often also under construction.

Within these bounds – try and show the transitions of styles of art as well – abstract to abstract expressionism, to impressionism to ,,,,, or focus on a small range – but go deeper into the explorations?

Ignore it and just choose what strikes my fancy at the time of printing?

….. There is an art in selection – just ask any curator!

abstractednov071_46

November 28, 2007

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abstractednov071_46, originally uploaded by oliverart.com.

The faces of an artist

An artist often must wear many faces – creator, critic, marketer. In addition to balancing the time, some of these things may be highly inconsistent.

The creator is involved in the inspiration, the doing, the visceral, the passionate…. The critic is remote, dispassionate, analytical, intellectual. The marketer or self promoter requires intensely personal exhibitionism combined with the self assuredness which easily rises to colossal arrogance.

Passions must be controlled, focused and channeled – a describable portfolio or body of work is needed by the critic to describe and the marketer to promote.

The critic and marketer must be suppressed in order to allow the new, the innovative or revolutionary to surface.

The marketer must inevitably try and change or become the trend. To the extent that the work is truly new or incrementally innovative may determine the extent of the challenge.

AB25

November 25, 2007

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AB25, originally uploaded by oliverart.com.

Kertesz meet Mondrian.

Andre’ Kertesz (see http://www.masters-of-photography.com/K/kertesz/kertesz_distortion_full.html) – meet Piet Mondrian. http://www.ibiblio.org/wm/paint/auth/mondrian/

This is a digitally stylized photograph

urbtran_DSC_0044b_46

November 25, 2007

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urbtran_DSC_0044b_46, originally uploaded by oliverart.com.

Questions of Balance –

Balancing time?

Making new images, Administering them (copies, filing back up copies), marketing, getting supplies, keeping abreast of what is going on in the world….

Lisa, my wife helps, with everything but the creation, and is almost always the first to comment on new work.

I’m told I’m very prolific – I try and average 1 new image brought to final a week.

I’m very behind on my web work and etc — I have to finish file and something like 20 – 30 Urbans and some additional Scenic Visions and ……

I keep remembering the Jackson Brown song —- something about time enough for everything except playing…. Not sure that it is true but I muddle through, more sales would help.

DWM44

November 24, 2007

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DWM44, originally uploaded by oliverart.com.

Getting to your must create is important.

Getting to your audience’s must have is important for your sales. Typically this means they must want it for personal expression on their walls (sometimes in a book for education etc). Their creativity being in the selection of your work. —

Getting to the Gallery’s must show is tied up in the owner believing that they can convince enough of their patron’s they must have.

The desire to decorate is endemic I believe – look at cave paintings, decorative markings on tools and pottery — sometimes wrapped up in religion – appealing the gods for a good harvest, comfortable life, health intervention, teaching the young or attracting a mate. All involve the arts.

Too much “art” in the 20th and 21st century has broken away from these precepts. It isn’t made for any of these fundamental or lower level Maslow type needs – and then the artist wonders why they don’t sell – only have a small audience, or even if they get “critical” acclaim of the “salon” they never really “catch on”.

I try very hard to make work that people will select for their walls – and also innovative and creative enough to appeal to the salon. I heard a reviewer a few years ago that art wasn’t about the beautiful or the decoration……..

oliver

Robert Genn Twice Weekly Letter wrote:
> Getting to ‘must’
>
> November 23, 2007
>
> Dear oliver,
>
> Psychologist Abraham Maslow has written, “A musician must make music, an artist must paint, a poet must write–if he is to be ultimately at peace with himself. What one can be, one must be.” The question for many would-be creators is simply how to get to “must.”
>
> Maslow spent a lifetime researching mental health and human potential. He emphasized the study of healthy minds and successful systems rather than the abnormal and the ill. He was particularly interested in the hierarchy of needs, meta-needs, self-actualizing persons, purposeful play, and peak experiences. Leader of the humanistic school of psychology, he referred to his ideas as a “third force”–beyond Freudian theory and behaviourism.
>
> Maslow saw human beings’ needs arranged like a ladder. The most basic needs, at the bottom, were physical–air, water, food, etc. Then came safety needs–security, stability, comfort. Then psychological or social needs–belonging, love, acceptance. At the top were the self-actualizing needs–the need to fulfill oneself, to become all that one is capable of becoming. Maslow felt that unfulfilled needs lower on the ladder inhibited a person from climbing to the next step. For example, someone dying of thirst is not likely to write or paint. People who managed the higher needs are what he called self-actualizing people. These folks, he found, are able to focus on problems outside themselves, have a clear sense of what is true and what is phony, and are spontaneous, creative, and not bound too strictly by social conventions.
>
> Here are a few of Maslow’s ideas for artists wishing to further evolve:
>
> Systematically study, understand and neutralize the effects of lower needs. Accept the world in all of its complexity, mystery and ambiguity. Take cues from the winners in this world, not the losers. Keep the company of the doers, not the talkers. Play your personal game on as many levels as you’re able. Fall in love with your processes, innovations, dreams and higher ideals. Be sensitive to and welcome the arrival of peak experiences. Have no guilt when you see yourself becoming compulsive and proactive. Allow yourself to be swept up in your personal “must.”
>
> Best regards,
>
> Robert

Giving Thanks – SV107

November 22, 2007

SV107, originally uploaded by oliverart.com.

Thanksgiving – giving thanks. In the United States this holiday has deeply religious roots – but with a cross-cultural sharing. The history/mythology says the Pilgrims, religious refugees organized a feast with the local natives/neighbors to give thanks to God and their neighbors for a bountiful harvest.

Harvest festivals are common. Thanking the higher spirit is common. Sharing thanks with your neighbors who have different cultural background and beliefs, is not I think, quite so common.

Art is perhaps one of the best cross-cultural methods of communication. The Tarot cards separated from the spirit the foretelling, were also used as a means of communication between persons without a common spoken language. Carl Jung posited a collective subconscious or a set of universal themes and symbols that are common to humanity, artists including writers have used references to these symbols and myths to communicate and sometimes such referents assist in cross-cultural communication.

Other psychological theorists have posited that there is a hierarchical set of need and want fulfillment – and that people will spend time and resources generally on that set of needs and wants. I haven’t studied these in specific in a while but as I recall art was pretty late in the list as a “luxury” item.

To the extent that the “art” is spiritual or practical teaching or adornment/decoration of the home, house or spiritual center I disagree. The list went, as I recall something like food, shelter, reproduction/family, spiritual life and then on to other things.

Art can play an essential role in teaching how to procure food – the hunt – farming or building of shelter, religious or spiritual development, can help with the attraction of mates – clothes, jewelry, symbols of prowess and can make a more attractive shelter in which to live.

So on this day of cross cultural thanks, I think about where art fits in the world and am glad I have elected to move toward simple things that are intended for people’s walls, to be enjoyed daily and occasionally a little spiritually uplifting. Hopefully, my work is cross culturally attractive.

We should give thanks to our friends, neighbors and the spirit(s) in the hope for a bountiful harvest next year too.